5 movies you should watch instead of Fast & Furious

the fast furious the films introduced audiences to a new kind of cinema in 2001, launching some of the biggest and boldest action sets that would come its way. However, over the course of two decades, Mad the movies have gone from a small-town street racing saga to a space-bound telenovela franchise—becoming so over the top that they don’t even care how ridiculous they are.

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Instead of these hot-rod extravaganzas, several certifiable classics of the action/thriller variety have emerged. Adventurous tastes of Creation and celestial fall vicariously chilled by Jason Bourne and Ethan Hunt, the best action films take audiences on a tense journey by interweaving life-and-death scenarios with entertaining escapism.

5 ‘Tenet’ has bigger and better action sequences


Christopher Nolan distills for the second time his cinematographic signature on the spy/thriller genre with Principle, telling the time-consuming story of a secret agent, known only as “The Protagonist”, who embarks on a dangerous mission to prevent an impending World War III. With its two-way action, including a reverse fight sequence, plane crash and car chase – all of which were practical stunts –Principle exists to beat audiences with exhilaration and excitement.

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Nolan prioritizes dense audiovisual spectacle to deliver one of the most thrilling cinematic experiences of recent times, revisiting all the components of ingenuity that championed it as the pinnacle of non-franchise blockbuster cinema. At the end of its two and a half hours of autonomy, Principle will leave viewers confused following his unprecedented and thought-provoking spectacle.

4 “Drive” combines art action and stylized violence


Directed by Nicolas Winding Refn, To drive stars Ryan Gosling as an unnamed Hollywood stuntman who moonlights as a getaway driver for criminals. With catchy sequences shot and edited to perfection, To driveThe action sets of are refined to serve the purpose of an emotional reaction rather than a strictly visceral one. Refn doesn’t cut out the action to fool the audience into thinking it’s more exciting than it is — he presents the footage with the clarity and precision of a surgeon.

To drive represents a fully realized vision of arthouse action, blending stylized violence and striking imagery to create an ambient ambient piece that hits you like a shot of nitroglycerin. Playing with camera angles, shadows, film speed, and sound, Refn keeps audiences immersed in an atmospheric neo-noir crime world.

3 “Ocean’s Eleven” is ridiculously nice (and classy)


Steven Soderbergh’s detective comedy Ocean’s Eleven follows Danny Ocean, played by George Clooney – a wry and charismatic thief who plans the most sophisticated and elaborate casino heist in history after his release from prison. By following three rules: “Don’t hurt anyone, rob anyone who doesn’t deserve it, and play the game like you have nothing to lose,” Soderbergh practically invents the formula for a modern heist movie.

Ocean’s Eleven is an expertly crafted piece of pure popcorn fun, charmed by an ensemble cast of Hollywood’s coolest cats; among them, Brad Pitt, Matt Damon, Julia Roberts and Don Cheadle. Soderbergh takes a piece of ’60s pop culture and modernizes it into one of the coolest, most fluid blockbusters ever, creating a triumph of style and history.

2 ‘Baby Driver’ Pairs Killer Music With High-Octane Action

Ansel elsgort baby driver

Directed by Edgar Wright, baby driver hits the road with Ansel Elgort playing “Baby” – a skilled getaway pilot who relies on the beat of his personal soundtrack to drown out his tinnitus diagnosis. Forced to work for a crime boss, Baby faces choices that threaten his life, his love and his freedom. After falling in love with the woman of his dreams, Debora (played by Lily James), Baby sees a chance to give up his life of crime for a clean break.

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baby driver is assembled like clockwork – an assemblage of elements that engages audiences in a thrilling display of heart-pounding action and swoon-worthy romance. Edgar Wright’s editing and direction are no less fantastic than usual, but it’s his screenplay that trumps everything else, balancing a love story with genuinely hilarious comedy and action stunts without detracting. to any element. Sleek, sexy and stylish, baby driver is a wonderful mix of music and movies.

1 ‘Mad Max: Fury Road’ roars with vehicle mayhem

MAD MAX: FURY ROAD, lr: Tom Hardy, Charlize Theron, 2015. ph: Jasin Boland/©Warner Bros.

Directed by George Miller, Mad Max: Fury Road depicts a post-apocalyptic wasteland where water and gasoline are scarce commodities. After civilization collapses, Furiosa (Charlize Theron) forges an alliance with former captive Max Rockatansky (Tom Hardy) to fight a long road battle against tyrannical cult leader Immortan Joe.

Mad Max: Fury Road rages on with unabashed action, taking fans of spectacle cinema to new heights with exhilarating, energetic and emotionally resonant cinema. Although it’s cold and violent and visceral to see, road of furyThe reverence for lies in its core elements of hope, loyalty, and redemption. In addition to being quickly and furiously entertaining, Miller’s film launches a full assault on the senses and sends audiences on a wild ride of controlled mayhem. With an orchestral mix of drums, guitars and machine motors, Mad Max: Fury Road is an ambitious, gripping and poignant production of a hit show and one of the most brilliant pieces of vehicular mayhem to ever hit the big screen.

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