Prom Night II is a surprisingly awesome horror sequel

Old horror sequels, with the exception of a special selection, tend to be considered bad movies. They aren’t usually good in the traditional sense, but any horror classic or lovable slasher that spawned sequels has enough fans to stand up for mediocre “2”, “3” and beyond. In the heyday of the early to mid-80s slasher movies like Halloween and Friday 13 led to profitable sequels, which quickly turned into profitable franchises, so lower-level slashers so ambitiously hoped to do the same.

You know, there are plenty of faulty follow-ups from lesser-known slashers. The Night camp movies all have a unique and ridiculous appeal. I’m a sucker for everything Slumber Party Massacre. These days, I’ll be reviewing a slasher right away that I might have missed in case it has something fun to offer. Seeing “2” alongside barely classic horror titles, in combination with the often absurd and sloppy covers, makes sleepers easy to ignore.

A sequel that might escape people and should no longer be Hello Mary Lou: Prom Night II, a 1987 sequel to Jamie Lee Curtis’ issue Prom evening, which is widely regarded as one of the best slashers that isn’t Halloween, etc. While director Paul Lynch’s original Canadian slasher is a simple game of slices and dice, Prom Night II takes a very different angle from its predecessor, serving up a new story of revenge, deviating from the standard slasher routine and becoming something fantastic and supernatural.

It’s a surprise; a visually fun game with quirky exciting fears, well-designed characters to follow, and a stock of fun lines. A story of horrible possession in slasher clothes, Prom Night II isn’t just great for a horror sequel, it’s a hell of a good horror movie.

Following the setting of the slasher, director Bruce Pittman takes a young social group to a quaint, small-town school setting and plunges things into a surprisingly ethereal and sexually charged nightmare world in shiny late ’80s packaging, where fears are bad dream material, murders are inventive, and laughs and weird situations keep rolling.

The film opens in 1957. We meet a degenerate, sex-hungry teenage girl named Mary Lou Maloney (Lisa Schrage) who walks into a large, intimidating church and proudly confesses her sins to a priest in the cabin next to her. She admits to having had sinful relationships with “many boys in school” and claims to have “loved every minute” of them. Mary Lou writes a “to have a good time …” message in lipstick in the church confessional and leaves.

We cut to the Hamilton High prom, where Mary Lou is in attendance with her boyfriend. He gives her a necklace in the shape of a cross as a gift of love and goes off to take his punch. She sneaks in with another guy to drink alcohol and have sex behind a curtain. The boyfriend angrily confronts them, but Mary Lou sees no problem with his unfaithful ways and tells him, “It’s not who you come with, it’s who brings you home.”

She ends up winning the prom queen. During his acceptance speech, the disgruntled boyfriend throws a firecracker on stage and sets him on fire.

What I just detailed is a few almost unparalleled opening minutes, from Mary Lou rubbing her sknkiness in a priest’s face, to her blatantly cheating on her boyfriend at prom, to her fire. Just a few minutes it’s hard to deny Prom Night II rocks.

It passes to the present day. We are introduced to Vicki Carpenter (Wendy Lyon), a pretty high school student and only child in a strict religious home. She is dating motorcyclist Craig Nordham (Louis Ferreira), who is the son of high school principal Bill (Michael Ironside.)

The prom is approaching and Vicki is the queen of the prom, according to her boyfriend Craig. Her only competitor is Kelly (Terri Hawkes), a stuck fashionista who seems to be widely hated. Vicki’s friend, Jess (Beth Gondek) is a lonely artist; his other good friend is a crazy jerk.

Vicki walks down the school basement to a theater prop room and, for some reason, opens a safe. As she does, an old class photo of Mary Lou’s class in 1957, hanging in Principal Nordham’s office, cracks. He thinks back to that horrible evening.

Vicki’s girlfriend, Jess, is alone in the school’s art studio when Mary Lou’s ghost makes her first appearance: a radio lights up playing an old tune with “Mary Lou” in the lyrics, and an invisible force drags Kelly across the floor, wraps a curtain around her neck and hangs her, then throws her body out of a window.

Vicki begins to have haunting visions – chalkboards turning into swimming pools, a corpse surfacing from a vat of liquid behind the meal counter, and her rocking horse coming to life. Her behavior changes – She gets colder, more angry, more excited. She begins to seduce her friends. Torture a local priest. The icing on the cake, she kisses her father.

Bodies pile in as Vicki gets weirder. The priest, Father Cooper (Richard Monette,) has nightmares and decides to act. Director Nordham also experiences visions and takes on a heroic role, sensing very well that the spirit of Mary Lou has returned. All of Vicki’s murders and debauchery and regression lead to the final at the prom, an electrifying evening where the violence escalates and the practicalities go haywire.

Prom Night II is an absurd late ’80s adventure that has the right elements of wicked slasher to fit the genre and a wild sensibility of its own, with imaginative scares and polished practical effects. As Vicki is overwhelmed by the spirit of promiscuous and disrespectful old Mary Lou, we reap all the fun perks and the visual thrill. First, Vicki’s friends are chosen without intervention. Then Vicki, aka Mary Lou, begins to wreak havoc more directly, through telekinesis. She burns a teacher’s cock with a Bunsen burner, and crushes a locker in which her friend is hiding from her. To my surprise and that of anyone, Prom Night II has some great original horror pieces, from the fantasy genre, that feel inspired by Nightmare on Elm Street but have an authentic place in such a vehicle.

In one of Headmaster Nordham’s terrifying visions, he watches a dark vehicle cross the hallway of the school; figures in the backseat are staring at him and blood gushes from his forehead.

The scene where Vicki’s rocking horse first comes to life is a great display of practical effects and a rich piece of horror. His sheets tighten around her, the horse’s eyes turn red, he clenches his teeth and he comes to life. Bruce Pittman didn’t have a long history of horror before directing this eerily belated supernatural slasher sequel, but he does serve up a fair amount of shock, including several nightmare pieces and artful killings that will have you smiling with impressed delight. .

What’s just as vital as the horror talent is that Pittman has a mastery of the ironic funny. Prom Night II is a comedy as funny as it is entertaining horror. The movie starts off with a hysterical bang, and laughing lines and weird situations keep coming.

Maybe a naked girl chasing her friend through the school locker room in an attempt to have sex isn’t your mark of humor. Maybe that same girl who seduces her dad isn’t your cup of tea either. If that is the case, Prom Night II maybe just right for you, but it’s funny for the rest of us sick people.

I can’t call this a horror classic, and neither can I make a horror praising remark like, “Prom Night II is nightmare fuel! ”Pittman and the cast don’t work to scare you, but you will be amazed by much of the horror. You will have fun being sucked into this innocent teenage world that quickly turns into a hallucinatory nightmare, where the vengeful ghost of a sex crazed narcissistic maniac is trying to have sex with and kill everyone. Prom Night II is entertaining as a mad killer flick, but it’s a fun fantasy horror on top of that. Its anti-religious themes are pleasantly exploitative and in bad taste. There’s no horrible slash, but Pittman is giving us new kinds of kills and visuals galore. On top of that, he maintains a strong penchant for jokes as inventive terror is at work.

Ultimately, Prom Night II is a super creative gem of a follow-up to what used to be a standard slasher. Of course, Jamie Lee Curtis may have solidified himself as “Scream Queen” in Prom evening, and strictly as a slasher, the original movie is a good movie. Prom Night II, however, goes where so few sequels go. He throws away the basics of his predecessor, takes a new path, increases insanity, and has a lot of fun with himself. This is possibly one of the best horror sequels; surely one of the best sequels of a slasher. It’s time we stop treating it like it’s a movie called Prom Night II. You can consult Hello Mary Lou: Prom Night II, and the original Prom evening on Paon.

The views and opinions expressed in this article are those of the author and do not necessarily reflect the official policy or position of Movieweb.


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